KANE WIGHAM
THE MIDAS COMPLEX
As a digital illustrator, Kane challenges human culture and the intricate web of societal norms, beliefs, and practices that are supposed to define us.
His artistic journey is deeply rooted in anthropological exploration, where each piece serves as a visual narrative that seeks to unravel the complexities of human existence, with a particular focus on the psychology of both individual and group mentalities.
Through his illustrations, his digital canvas becomes a space where diverse lifestyles converge, inviting viewers to reflect on the differences within human societies and asking for viewers to open their minds to geoups and practices of which they are not a part of or have no knowledge of.
In his creative process, Kane employs a blend of textured digital brush strokes and hatched lineart to create a dichotomy of bright colours and heavily dark lineart. Each stroke and detail is meticulously crafted to capture the spirit of the people and stories he portrays.
Through his illustrations, he hopes to spark curiosity, encourage dialogue, and inspire a deeper appreciation for the diversity that enriches our world through both serious and satirical approaches.
Ultimately, his goal as a digital illustrator is to bring up the question of why, as a society, we live by the rules of what is considered normal and, with that, pursue what power there is in the abnormal.
Instagram: @kw_design
His artistic journey is deeply rooted in exploration, where each piece seeks to unravel the complexities of human existence, with a focus on the psychology of individual mentalities.
“It’s beneficial to have artists and designers in and around our working space as it gives us an insight into what we can do in the future!”
EXHIBITION
Fragment
June 2019
The story of King Midas teaches us the price of having a golden touch. For Midas, it was turning his daughter into gold when he embraced her. This exhibition of social commentary dissects and investigates excessive wealth and the economic inequalities that arise from it.
Communicated through bold digital illustrations, Wigham’s body of work dissects the class divide with satirical, yet thought-provoking, portraits in his trademark illustrative style.
Juxtaposing playfulness and assertion, Wigham utilised everyday objects as vessels for metaphoric statements. It is Wigham’s interest in human nature, combined with striking visuals, that comments on the flaws of a capitalist society.
As Designer-in-Residence, Wigham used the residency to expand his portfolio of digital media. Providing a critical insight into class inequalities, Wigham shares his outlook from the perspective of a working class artist and designer, exposing these imbalances to the viewer.
